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Along the way, we have quite revealing


             snapshots of the drivers. Some are arrogant,


             others more humble. One is mourning a friend’s


             death on the track, another feels overshadowed


             by his more successful racing father. They’re all


             struggling with the demands of electric race


             cars. “It’s like playing chess at 200 kph.” one


             driver says.




             Many of the drivers — including Britain’s Sam


             Bird, France’s Jean-Eric Vergne and Brazil’s


             Nelson Piquet Jr. — are seeking redemption


             after falling out of favor or never getting to race


             at the gas-powered bigger brother Formula One.




             Co-directors Fisher Stevens and Malcolm


             Venville fill the film with many of these


             snapshots but they don’t connect them into


             a single coherent arc or pare them down to a


             single rivalry.



             The film — which streams Thursday on Hulu —



             then makes maddening detours into the nuts


             and bolts of making electric racing cars, a look


             at Formula One gods like Ayrton Senna and an


             overly gauzy portrait of Alejandro Agag, the


             head of Formula E, who says things like: “The


             revolution is coming. It’s just a matter of time.”



             Agag, a charismatic Formula One veteran and



             a former Spanish politician, is a cigar-smoking


             race fan who admits creating a green Formula


             One was more a business decision than the


             product of an environmental activist, which is a


             little deflating.



             Enter uber-cool green guy DiCaprio, in



             sunglasses he never removes. He asks questions


             about how batteries stay cool and gets a lesson


             on environmental race fuel Aquafuel — even


             tasting it. DiCaprio seems to try to pull the film






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